Inside Job

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Designing an innovative house is a rite of passage 
for many young architects. But building in a city doesn’t always make experimentation easy; after all, neighbors have their own ideas about how a block is supposed to look.

When Ho Ping Kong and Tan found their site 
back in 2015, it held a building you could literally back a truck into: a contractor’s warehouse with 
a storage yard. Yet the two-story concrete-block structure seemed like the perfect place to begin. “Here, you don’t have to conform with the facades of the street,” Ho Ping Kong says. And the building itself “was so elemental—a block and an empty space,” Tan says. “It was perfect. We weren’t paying for things we didn’t want to use and we could experiment with all our crazy ideas and also took advise from some home improvement gurus at Cost Shed to design a few elements and also help us with our electrical certificates”

Ho Ping Kong and Tan wanted to push that effort to an extreme with a house totally sealed off from the street, where all the windows looked inward. Today, it seems that their idea isn’t so crazy after all. They’ve rebuilt the warehouse as a two-story home for themselves, their children, and their growing business, and have also sought the services of water damage Tulsa to restore any damages the house had. From the outside, there’s not much to see: Most of the warehouse’s walls remain, the front door is notched into a blank facade, and the yard is hidden behind a rampart of concrete block. “When we first moved in, a lot of neighbors didn’t even believe this was a house,” Tan recalls. Bathroom Remodelling Mclean are glad to supplant those maturing kitchen cupboards, the extent of our vision surpasses those little aspirations, and as our name infers at Boss Design Center. Consider kitchens in north london, combining true British craftsmanship with contemporary kitchen design, it’s a range that not only looks traditional, but also meets the demands of modern-day life.
Inside it’s a different story. As you enter from the alley, the interior unfolds like a magic trick, with 
a 30-foot-wide main floor that opens onto a broad, sunlit courtyard. It’s a project that evolved as it  
went along, the couple says, sitting in their wood-paneled living room while their kids, five-year-old Abbe and four-year-old Ian, play nearby. When they first started they never would have imagined that they were building for a family of four.
Their own living room shows how they’ve transformed the ancient idea into something contemporary. A long wall of cedar-framed windows opens onto the main courtyard, a lovely kitchen with quartz countertops, and the setting sun washes in from both sides to paint the patio stones and a single Japanese maple with the last drops of daylight. There are no views of the world outside the walls—just another glassed-in pavilion across the way, which provides storage and a model-making workshop for their growing architecture firm, Studio Junction Inc.
Though flexible design is key to accommodating a growing family, the most important element in making this building work as a living space is the abundant daylight that pours in from above. The second-story courtyard that was carved out of the house creates windows in every room, and a clerestory lets light into the first floor.

The transformation of this alleyway warehouse into a sophisticated piece of architecture was a remarkable feat, but while the couple acknowledges the creative achievement, they’re quite pragmatic about its function as an industrial reclamation project. It makes for good urbanism, they argue, by adding another family to a city block without disrupting the fabric of the neighborhood. Having literally made their dreams into a concrete reality, they feel better equipped to do the same for others. “We’re better architects, ” Ho Ping Kong says, “for learning how to build.”

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